Queercore: How to Punk a Revolution: An Oral History

Description

Queercore: How to Punk a Revolution: An Oral History is the very first comprehensive overview of a movement that defied both the music underground and the LGBT mainstream community.

Through exclusive interviews with protagonists like Bruce LaBruce, G.B. Jones, Jayne County, Kathleen Hanna of Bikini Kill and Le Tigre, film director and author John Waters, Lynn Breedlove of Tribe 8, Jon Ginoli of Pansy Division, and many more, alongside a treasure trove of never-before-seen photographs and reprinted zines from the time, Queercore traces the history of a scene originally “fabricated” in the bedrooms and coffee shops of Toronto and San Francisco by a few young, queer punks to its emergence as a relevant and real revolution. Queercore is a down-to-details firsthand account of the movement explored by the people that lived it—from punk’s early queer elements, to the moment that Toronto kids decided they needed to create a scene that didn’t exist, to Pansy Division's infiltration of the mainstream, and the emergence of riot grrrl—as well as the clothes, zines, art, film, and music that made this movement an exciting middle finger to complacent gay and straight society. Queercore will stand as both a testament to radically gay politics and culture and an important reference for those who wish to better understand this explosive movement.

“Finally, a book that centers on the wild, innovative, and fearless contributions queers made to punk rock, creating a punker-than-punk subculture beneath the subculture, Queercore. Gossipy and inspiring, a historical document and a call to arms during a time when the entire planet could use a dose of queer, creative rage.”
—Michelle Tea, author of Valencia

“Queercore is the unrelenting polyrhythm of a culture, chanted in varied waves of sensation, by some of its most essential voices. Zigzagging through generations of nostalgia and controversy faster than their own power chords, this is not just a record of queercore (the movement), but a theoretical discussion about the intersectional ideology of ‘Queer,’ as well as ‘Punk’ itself. Reading this book gave me the absolutely necessary opportunity to reinvigorate my own punk, both as performance art and radical protest. This unflinching oral history of how a subculture begins and survives, tenaciously layered in the present, is a bridge over the gap, that I, for one, have been waiting for.”
—JD Samson, musician, producer, songwriter, and DJ (Le Tigre, MEN)